Loud/RCA akzeptiert RZAs Bedingungen und veröffentlicht mit dem ersten Clan-Album Enter The Wu-Tang (36 Chambers) einen Klassiker der Hip Hop-Geschichte. Wie bei sämtlichen Wu-Releases der kommenden Jahre, so liegt auch beim Debüt die Produktion komplett in RZAs Händen. Vor allem seine samplebasierten Beats, zusammen mit den stark differierenden Rap-Styles der neun MCs, dem exzessiven Gebrauch von Slang-Ausdrücken und Five-Percenter-Inhalten sowie den immer wiederkehrenden Bildern aus der Martial Arts- und Samurai-Kultur prägen den unverwechselbaren Sound der Crew.
Der Erfolg des Albums etablierte den Bandnamen und machte die Mitglieder bekannt genug, um GZA, RZA, Raekwon, Method Man und Ol‘ Dirty Bastard Solo-Verträge bei Majorlabeln zu ermöglichen. Getreu dem Konzept, sich eine möglichst große Unabhängigkeit von einer Plattenfirma zu erhalten, unterschrieben die Mitglieder ihre Verträge bei verschiedenen Firmen. Die Veröffentlichungen des Clan erschienen auf RCA, GZA unterschrieb bei Geffen, Ol‘ Dirty Bastard bei Elektra Records, Method Man bei Def Jam, Raekwon blieb bei RCA, Das Konzept für Gruppe und Solo-Künstler verschiedene Verträge zu schließen, behielt danach einige Jahre den Beinamen „Wu-Tang Deal“. Mittlerweile ist es in der Szene aber so weit verbreitet, dass es als Quasi-Standard keinen eigenen Namen mehr benötigt. Die Band ist auch berühmt für ihre Battle-Rap-Fertigkeiten.
(Info von: https://www.laut.de/Wu-Tang-Clan, https://de.wikipedia.org/wiki/Wu-Tang_Clan)
Tags: Enter The Wu-Tang (36 Chambers), GZA, Method Man, ODB, Raekwon, RZA
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正文：这篇文章把 Wu-Tang Clan 的出道脉络梳理得很清楚，尤其是 RZA 一人包办制作这一点，确实奠定了整个团队的辨识度。当年《36 Chambers》里那些采样和打斗片对白，放到今天听依然很有冲击力。不过最让我感慨的还是他们分散签约各大厂牌的策略，在那个年代算是相当大胆的玩法，后来被称作 „Wu-Tang Deal“ 也不意外。Wu-Tang Clan 的传奇起点 这样既保持独立又让每个成员有发挥空间的做法，后来很多团体想模仿，但没几个能复制成功。Method Man、GZA 他们后来的个人专辑能立住，跟这个布局关系很大。
RZA’s sample-heavy production and the distinct voices of all nine MCs really made 36 Chambers stand out from anything else at the time. What fascinates me most is how the group handled contracts across different labels, which gave them leverage and let each member shine on solo projects. That strategy was rare in the early 90s and clearly paid off. The martial arts imagery and Five Percenter references also gave the lyrics a depth that rewarded repeated listens. It’s no wonder this debut remains a cornerstone of East Coast hip hop.
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Great overview of how RZA’s sample-based beats shaped Enter The Wu-Tang (36 Chambers).
The part about the different solo label deals and the “Wu-Tang Deal” was especially interesting.
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This article really breaks down how Wu-Tang Clan established their unique sound. It makes sense how RZA’s production and the group’s strategy played such a key role. It actually reminds me a bit of how much fun it is to create funny character voices in a voice acting party game.
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